With Son of God and Noah behind us, it seemed like our requisite number of annual Hollywood Bible-themed epics had passed, but lo and behold, along comes Exodus: Gods and Kings.
I'm wowed by the spectacle (looks like what Noah wanted to be) - but I'm skeptical about the storytelling. On the other hand, I'm a long-time Christian Bale fan, and I've enjoyed Joel Edgerton as well. My favorite adaptation of the Moses story will probably always be The Prince of Egypt, frankly. Yes, the animated musical. Incidentally, Prince also has my favorite on-screen representation of God as well, so take that, insipid hippie protagonist of Son of God.
Hannah Long
Showing posts with label Noah. Show all posts
Showing posts with label Noah. Show all posts
Tuesday, July 8, 2014
Saturday, April 5, 2014
Noah - Movie Review
Darren
Aronofsky ruffled feathers by proclaiming his new movie Noah the “least Biblical Biblical film ever made.” This is true, if
your definition of “Biblical” is “stars Charlton Heston and has an
anti-Communist agenda,” as The Ten
Commandments did (it’s notable they both have subplots which didn’t occur
in the Bible). Noah breaks numerous
Bible movie conventions, and though its iconoclastic bent can be over the top,
it effectively utilizes this alienating tactic to shock the audience into
seeing the story with new eyes.
First
thing to go is the traditional flamboyant Middle-Eastern attire, replaced by dull
tunics of animal skin right out of either the Paleolithic era or a modern
dystopia. I incline towards the latter, because the film lacks a real dimension
of age. The world doesn’t seem young (should it?)—but rather old and
decrepit and empty. It’s a bad sign when the majority of the striking visual
shots can be contained in a film’s trailer.
Labels:
2014,
Antediluvian period,
Bible movies,
Douglas Booth,
dystopia,
Emma Watson,
evil,
grace,
Ila,
Jennifer Connelly,
justice,
Logan Lerman,
melodrama,
mercy,
Noah,
Ray Winstone,
Russell Crowe,
the Ark
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