Movies:
It's a toss-up for March, but I'm going to have to give it to The Kid Brother over Amelie (which I also loved.) If you think you don't like silent movies, you obviously haven't seen this. Made in 1927, it stars the third member of the silent comedy trio: Harold Lloyd (we now remember Keaton and Chaplin, but Lloyd is mostly forgotten.) It's a hilarious, clever, heart-warming little film which has aged incredibly well. Watch here.
Showing posts with label Liam Neeson. Show all posts
Showing posts with label Liam Neeson. Show all posts
Monday, May 4, 2015
Tuesday, November 25, 2014
The Mission (1986) - They Who Live
In the first few scenes of The Mission, we are introduced to an Amazonian paradise, a lush expanse of leaf and stone and river. Waterfalls, massive sheets of white foam, cascade into gaping chasms.
It holds all the power and mystery and beauty of Eden.
And there, amidst it
all, is martyrdom and blood, as a man strapped to a cross floats down the river to
this death.
Robert Bolt, the screenwriter, had a
fascination with identity. His protagonists often exist in a crisis zone where
the basic texture of their lives comes under extreme strain. This happens in
both Lawrence of Arabia and A Man for All Seasons,
as it does in The Mission.
But instead of a single leading role, the story is balanced between Cardinal Altamirano (Ray MacAnally), Father Gabriel (Jeremy Irons), and Rodrigo Mendoza (Robert De Niro). While all three are interesting, this splintering of interest contributes to a lack of focus in the narrative, and produces three distinct acts.
But instead of a single leading role, the story is balanced between Cardinal Altamirano (Ray MacAnally), Father Gabriel (Jeremy Irons), and Rodrigo Mendoza (Robert De Niro). While all three are interesting, this splintering of interest contributes to a lack of focus in the narrative, and produces three distinct acts.
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