Best of March/April 2015

Movies:

It's a toss-up for March, but I'm going to have to give it to The Kid Brother over Amelie (which I also loved.) If you think you don't like silent movies, you obviously haven't seen this. Made in 1927, it stars the third member of the silent comedy trio: Harold Lloyd (we now remember Keaton and Chaplin, but Lloyd is mostly forgotten.) It's a hilarious, clever, heart-warming little film which has aged incredibly well. Watch here.

Inspector George Gently - Series 7 - Gently With the Women Review

The new series starts off on a somber note as a woman is violently attacked in the shadows beneath Durham Cathedral. It is pitch dark in the alleys by the river, but the glowing face of the enormous edifice looms against the night sky, passive, silent, immovable, uncaring, unhearing.

Meanwhile, George Gently is in the ring, attempting to keep up with a younger colleague. Martin Shaw, at 70, still looks like he can throw a mean punch, but George's age is catching up with him. He is suddenly KO’d, letting a punch fly right past his guard, and wakes up in the doctor’s office. He's none too happy about the fuss, but she is insistent that this may be more than a mere fluke.

Curtain: Poirot's Last Case - Episode Review

My review of the previous episode: The Labours of Hercules

I promised myself that I wouldn’t start this review with a personal anecdote. 

I wouldn’t say that I’ve been watching Agatha Christie’s Poirot since I was around five or six, that Poirot and co. have been constant comfort food throughout my childhood. I wouldn’t say how very close David Suchet’s little Belgian was to me.

So now I haven’t said all that, I will say: 

AGH IT’S OVER. MY CHILDHOOD HAS DIED. QUOTHTHERAVENNEVERMOREAAGH.

Okay, that’s done.

Curtain brings Poirot full circle, back to Styles, where he first met Arthur Hastings. The old house (sadly not the same filming location) has been converted into a nursing home, where an ailing Poirot lives. When he summons Captain Hastings, he tells him that (shocker) there’s a murderer on the premises, but, in the grand tradition of detective and Watson since time immemorial, refuses to inform his old companion of the killer’s identity. Could it be an unusually posh Philip Glenister as Sir William Boyd Carrington? Or is it Judith Hastings, daughter of our beloved Captain? Toby Luttrell or his nagging wife Daisy? What about (my favorite of the line-up), the unassuming Stephen Norton (Aidan McArdle)? Or Judith's mild-mannered boss and his glamorous wife? 

Gracepoint - Episode 10 - Review

My review of last week's episode

I've already noted that the Gracepoint showrunners completely missed the point of their source material, but this finale clinches it.

For those who saw episode 9, the killer reveal shouldn't have been all that difficult to predict. Several subplots had been resolved - the whole Jack Reinhold part (my favorite segment of the season), Beth and Paul, Emmett's background, Susan Wright's past, Vince's reason for threatening Susan. All that was done with, so it was fairly reasonable to expect the one unresolved thread to come to the fore, as it did.

(Spoilers for the endings of both Gracepoint and Broadchurch.)

Gracepoint - Episode 9 - Review

My review of last week's episode.

It's been a pretty good year for small-screen Brits in the U.S. of A. Not only has David Tennant hopped the Atlantic and gained an accent, but so has Martin Freeman. In other quarters, Ioan Gruffudd and Jonny Lee Miller investigate crime in the big city.

For Gracepoint, the things lost in the passage are subtlety, originality, and faith. It doesn't help that comparison to the much superior Broadchurch is almost impossible not to make when Gracepoint has steadfastly refused to break out a new plot. Rather than a poignant reconciliation under the direction of Paul Coates, we get a pedestrian love-triangle which climaxes in an argument between Beth and Mark (followed by...revelation? reconciliation? what?). At least we can hope that that subplot has finally been played out, because, like Beth, none of us care about Paul.

Gracepoint - Episode 8 - Review

My review of last week's episode

And...that was a let-down. It's not a terrible episode, but a few logical fails manage to dispel much of the story.

Speaking of dispelling tension, we start by finding Tom, who is indeed in the woods bleeding. Paul Coates is creeping along singing hymns out of tune, because apparently that's what Hollywood people think priests do. The moment when he does find Tom is appropriately scary, but most everything's down-hill from there, because Ellie and Carver completely buy Tom's explanation that he was going looking for Lars so that he could confront him with...knowledge of his sins. Do normal children do this? I think not.

Tom must have been thinking: Incredible! One of the worst performances of my career, and they never doubted it for a second...

Gracepoint - Episode 7 - Review

My review of last week's episode

If last week was a marked departure in terms of atmosphere, this week's plot has finally diverged significantly from the original. Not only does Tom Miller go missing, but we're introduced to the Creepy Backpacker, and Emmett Carver's daughter Julianne. All of this happening in one episode gives us a lot to chew on (not to mention the fact that it ends with a cliffhanger - AGH).

The last episode ended with the death of Jack Reinhold. We pick up as the town is coming together for a memorial service. Paul Coates gives the congregation a tongue-lashing (translation: mild rebuke, because the man has no charisma whatsoever) about failing Jack. Presumably, this is because they suspected him, because soon after this, Joe lets Carver have it about suspecting Paul Coates.

Gracepoint - Episode 6 - Review

My review of last week's episode

This episode is the first to really strike into new territory. And it does so in fairly dramatic fashion.

The unquestionable star is Nick Nolte, a surly teddy bear of a man, trying to cope as his life crumbles around his ears.

In the last episode, Nolte's character, Jack Reinhold, was accused of statutory rape. There's never really any question of his innocence - the man exudes sincerity. But while there isn't a tremendous amount of suspense about whether or not he's guilty, the episode makes the most of the tyranny of public opinion, the reaction of the community, and the way something like this is quickly sensationalized.

Gracepoint - Episode 5 - Review

My review of last week's episode

Apparently the only way Gracepoint's inhabitants have of dealing with their anger is to grab people by their jackets and shake them around. See Mark Solano vs. Paul Coates, and Paul Coates vs. Raymond Connolly.

But is there anybody out there that wasn't cheering when Owen Burke got knocked silly by the Wrath of Nick Nolte? And as for me, I think Emmett Carver ought to have been a bit harder on everybody's favorite psychic.

Gracepoint - Episode 4 - Review

My review of episode 3

Last week, I was about to abandon ship. Happily, episode 4 is beginning to renew my interest. Part of the attraction is a small shift in Anna Gunn's character. The writer's attempt to give her clever dialogue has so far come off as cheesy and forced, but somehow, the bad puns in this episode lent her some awkward charm (and dove-tailed nicely when she hilariously tried to invite Carver for dinner). I don't think this was intended, and it doesn't entirely work, but the suggestion that her stupid attempts at comebacks stem from awkwardness rather than acerbity makes her more likable. Also - less whining is good.

The other thing is, this is the first time Gracepoint has dramatically stepped out of Broadchurch's shadow. In this installment, Carver and Ellie spend most of their time simultaneously investigating the suspicious backpacker (a new character) and following up on Chloe's cocaine source (this subplot meandered off in the original show).  In other suspicious news, the Creepy Woman With Dog has taken up killing chickens and staring at empty chairs. She also has some sort of connection to Vince.

Inspector Lewis - Beyond Good and Evil - Episode Review

My review of last week's episode: The Lions of Nemea

Need a MacGuffin to inject drama into your season finale? Add a serial killer with a grudge against your hero!

Let's face it, the story is pretty clichéd, but psychopaths have a way of upping the tension in any story, and it's no different in Beyond Good and Evil.

Graham Lawrie, a Scotsman with a rictus of a face, has been in prison for thirteen years. A newly minted Inspector Robbie Lewis put him away in 2001 for allegedly murdering three policeman with a hammer. Now, fresh evidence has cast the verdict into question, and another murder with an identical method adds further force to Lawrie's appeal.

Gracepoint - Episode 3 - Review

My review of last week's episode

Why are the British so much better at TV than us? Why didn't this show cast Olivia Colman? Why is this priest so creepy? Why are we supposed to hate Emmett Carver even though he's right? Why am I even doing this to myself anymore?

There are many unanswered questions in this episode.

It turns out that Mark Solano was not, in fact, with his plumber friend Vince, but having an affair with Gemma Fisher. And now Beth knows, which predicts further turmoil.

Anna Gunn hates Carver. Emmett Carver hates everybody, especially people who smile and shave and have good manners, but we also know now that his mysterious ailment is very serious - which excuses his rudeness just a bit.

But he can't give up work because he's a man on a mission, and he's given his word, and this is all penance. 'Tis but a flesh wound!

Inspector Lewis - Lions of Nemea - Episode Review

My review of last week's episode

Murder in Oxford! Panic in the streets!

Well, British panic—which means we’re suitably upset about the whole thing but couldn’t we hush it up quietly?

This Lewis episode brings us back to the heart of England’s deadliest city when Rose Anderson, a graduate in classics, is found stabbed to death alongside a canal.

Inspector Lewis - Entry Wounds - Episode Review

Sidekick promotion has always proved somewhat of a stickler for long-running detective shows. There’s some reshuffling of authority, which can often produce manufactured drama. In Morse the transition was rocky, as an ailing Morse had so little confidence in his sergeant’s abilities that he shadowed him incognito, much to Lewis’s dismay.

This time around, Superintendent Innocent has recruited a retired Robbie Lewis as back-up for newly promoted D.I. Hathaway. Hathaway is not too hip on this idea, and does his usual Brooding number. Unsurprisingly, we only get half a glimpse of his motivations, something involving doubts and faith and insecurity, probably, and also some trip to a church in Spain, and now he’s in a bad mood and nobody knows why, even him. Is this just me? It’s what makes the character interesting, but also frustrating—he is just sort of a vague intelligence without reality. Morse, on the other hand, was constantly displaying tangible flaws, and his existential ponderings had real weight because of it.

Gracepoint - Episode 2 - Review

My review of last week's episode.

Okay, the priest did it. My dad fingered the killer in the first episode of Broadchurch, and he has already cast judgment on Gracepoint.

If this is true, I will be very, very unable to express my feelings politely on this family blog.

It’s not really a spoiler to say that the priest was not the killer in Broadchurch. Instead, he provided the “moral compass” when everyone else’s had broken. Yes, he had a token motive, but just as an excuse to, in a key scene, bring him into conflict with the cynical, disillusioned Alec Hardy—now Emmett Carver. He was central to the hope that stood against the fragmentation of distrust and suspicion that threatened to destroy his community.

In this story, I predict that Reverend Paul Coates at least has a history with Beth Solano, which means his kindness to her has an ulterior motive. This annoys me to no end. I can’t complain too much about flawed priests (after all, I just finished The Power and the Glory), but this shift in dynamic could fatally undermine any efforts to refresh the foundational themes of Broadchurch. And that’s an issue.

Gracepoint - Episode 1 - Review

I just had to get this off my chest.

Gracepoint would have been a much, much better show if it was set in Appalachia.

David Tennant, an uppity Yankee, arrives in small-town Gracepoint just in time to investigate the murder of Opie Taylor. Assisted by a shocked local sheriff, he must investigate all the inhabitants of this seemingly idyllic town.

I kid. But only a little.

In remaking the amazing British show Broadchurch, it's inevitable that some themes would cross over. The idea of a small town turning on itself. The theme of Christianity and community. There would be no better place to transport this conflict than a small Appalachian town - that symbol of American rural life - complete with a heavy dose of Flannery O'Connor.

British Mystery Coming Soon - 2014, 2015

Starting Thursday, October 2, Gracepoint will hit the small screen in America. Folk have been quick to assure us that it will not be a point-by-point remake (at least, after the first two episodes) of the original, superb series Broadchurch - but I'm not entirely convinced. (Update: my review of the first episode.)

 Since my last update list, I've seen a few more things turn up.

Besides more seasons of Foyle's War (complete - here's a brief interview from the elusive Mr. Kitchen), Broadchurch (finished filming), Father Brown (filming), and Sherlock (being written) we have...

Agatha Christie's Poirot - The Labours of Hercules - Episode Review

My review of last week's episode: Elephants Can Remember.

It's practically a fact of nature that if you're cooped up with a number of people in a house in the snow, someone will be dead by the end of the weekend. If a small rotund Belgian man is there, you might as well call up friends (after calling your family solicitor) and say goodbye.

Complete with the requisite creaks in the night, the latest Poirot episode, The Labours of Hercules, must have been extremely difficult to adapt. The original consisted of a dozen quirky, loosely related short-stories, which culminated in a night-club called Hell (really). The adaptation picks a few of the best elements and combines them into a charming but bittersweet tale that feels unique in all the Poirot canon. We have German psychology, a dastardly serial killer, eccentric, hilarious foreigners, gorgeous vistas in a setting reminiscent of Wes Anderson's Grand Budapest Hotel, and the return of our favorite femme fatale, Countess Vera Rossakoff (and if you don't know who that is - SHAME - watch The Double Clue.)

My 5 Favorite Con-Men

Regular readers here will know that I'm more than a little obsessed with British detectives. So now, for a change of pace, let's get to know my favorite British con-men. There are a few conditions—con-men are not criminals of the vulgar sort. No, indeed; these dashing figures eschew unsophisticated fisticuffs, and make do with intelligence and witty repartee. For this reason I would not nominate Moriarty (his weapon is strategy, a general of the underworld), though I would almost nominate Saruman (disqualified because his witty repartee stems from an enchantment.)

Also, they must be loads of fun. Let's start with the most fun of them all...

Agatha Christie's Poirot - Elephants Can Remember - Review

My review of last week's episode: Dead Man's Folly

A couple, General and Mrs. Ravenscroft, walk along the white cliffs of Dover, arm-in-arm. The dog runs ahead, barking happily. They smile at one another. A few seconds later, a shot rings out, and the two lie dead.

Thus kicks off the climactic season of Agatha Christie’s Poirot, running circa 1989. Despite an added storyline involving murder by hydrotherapy (a psychiatric treatment in which the patient is blasted with scalding then freezing water), this episode is not as uniformly dark as Murder on the Orient Express, the intense conclusion to the previous season.

Ariadne Oliver’s appearance adds a good element of humor. Her slapdash, jovial demeanor is the perfect foil to Poirot’s fastidious world-weariness (which has become a little old—dude, one smile won’t hurt.) During the reception for her Crime Novelist of the Year award, Mrs. Oliver is cornered by the formidable Mrs. Burton-Cox, a mother with an ax to grind. Does she remember her goddaughter, Celia Ravenscroft? Yes, well, what she wants to know is did General Ravenscroft kill his wife, or did Margaret Ravenscroft kill her husband?