Inspector George Gently - Season 7 - Breathe In the Air

My review of last week's episode: Gently With the Women

It's not really a proper George Gently series until George battles evil in high places (last week, it was only mid-places). Now he must cope not only (as per usual) with corruption in the ranks, but the vast bulk of corporate crime, as well as his bickering subordinates.

After a brisk morning run, George dashes off to investigate the suspicious suicide of Valerie Cullen. All seems straightforward, but George isn't convinced. He starts to delve into her past. She's a doctor, suffered from depression, and was estranged from her smarmy husband - also a doctor. Eventually, it becomes apparent that Valerie had been investigating health violations at an old factory - a fact which many people resented.

Broadchurch - Season 2, Episode 8 - Review

My review of last week's episode.

SPOILERS

Broadchurch - Season 2, Episode 7 - Review

My review of last week's episode

At the moment, I'm sitting here, wracking my brains to remember whether anything actually happened in this episode. Mostly stalling. The trial has never been more interminable than here, as people yell at each other, and Olivia Colman cries more, and the verdict is continually stalled. Drama. Drama. Drama. *snore*

Broadchurch - Season 2, Episode 6 - Review

My review of last week's episode

This episode is about dysfunctional couples. There are four of them. We now have a new media romance, as evil Abby Thompson jumps in bed with Olly (he's still a jerk) in order, it turns out, to gain information.

Couple number three are Cate and Ricky Gillespie, who, reunited by Ellie, quickly slip into bickering again. Number two is Tess and Alec. The latter has finally decided to make some decisions on the Brink of Death front, by having a pacemaker installed. It's not quite as abrupt as it was in Gracepoint, but this sudden turn of events is a bit anticlimactic. My impending exit from terminal medical thingy makes the whole show gain a sense of vague urgency, until producers think money and Tennant-Colman chemistry and decide to cancel my death because season three.

Broadchurch - Season 2, Episode 5 - Review

My review of last week's episode

Oh, all right. This episode has drawn me back to Broadchurch. It still has some of the same problems, but is blessedly free of some of the silliness of the second and third episodes. There's lots of the same: tense confrontations, unnecessary subplots, angry/distraught/happy/thoughtful people contrasted against a lovely sky, but it's a decent enough episode.

Broadchurch - Season 2, Episode 4 - Review

My review of last week's episode

Well, overall, a bit more reasonable than last week. Damning with faint praise? It's the best I can do.

Ellie has had her Worst Day Ever, so now it's Alec's turn. The episode starts as he has disturbing flashbacks to when he found Pippa Gillespie's body, which makes him cry like an increasingly boring character looking for sympathy. He also faces the prospect that he might have been wrong about the whole Sandbrook case and manages to alienate both his wife and his daughter and the murdered girl's dad, Ricky Gillespie, and Ollie (who's still a jerk).

Broadchurch - Season 2, Episode 3 - Review

My review of last week's episode.

There was a moment while watching this episode that I actually exclaimed, “Poor Ellie.” That pretty much sums it up. Last week, Chibnall was reaching, this week he lost balance completely. But by a curious magic (characters I’m attached to, music, setting, cinematography), I still can’t quite disregard the series.

The cliffhanger from last week resolves fairly quickly. After a brief quarrel with a strangely unhelpful Ellie, Alec drives off to find that Claire and Lee have retreated to her cottage. Why? Claire mutters something unconvincing. Lee knocks Alec down and is macho and generally Suspicious which is a good sign that he’s innocent. (Once again, I’m startled by how different James D’Arcy is in this role—even if he doesn’t have much to do but smirk in a sleazy fashion and show off his biceps.)

Broadchurch - Season 2, Episode 2 - Review

My review of last week's episode

Agh...did you have to do it like that?

Broadchurch hasn't been above sacrificing strict logic for melodrama, but, unlike other shows, it simply glows with heart - which makes it hard for me to count its flaws against it. Central to this is the teddy-bear herself, Ellie Miller. Colman is simply not aware she's on screen. She's not going to stretch any moment longer than it needs, and there's no affectation about her performance. Alec Hardy is a more conventional hero: the moody, broken, secretly noble knight in tarnished armor. His hesitations, staring nervously away to let the tension build, are more distracting than tense.

Broadchurch - Season 2, Episode 1 - Review

Given that I invested far more emotion in the first season of Broadchurch than I have in any TV show for years, it's fair to say that my expectations for the second season were extremely high. Sharpening my red pen, I glared at the laptop screen and just dared Chris Chibnall to ruin these characters so I would have something to complain about.

But despite a somewhat melodramatic, music-heavy opening, Broadchurch 2.0 is instantly compelling and nearly flawless. After the lukewarm Gracepoint, just the atmosphere alone is enough to evoke positive response, but Chibnall's writing is exceptional, and the acting is, as ever, superb.

I'd better go ahead and say that this will have spoilers not only for season 2, but also, necessarily, for season 1.

Curtain: Poirot's Last Case - Episode Review

My review of the previous episode: The Labours of Hercules

I promised myself that I wouldn’t start this review with a personal anecdote. 

I wouldn’t say that I’ve been watching Agatha Christie’s Poirot since I was around five or six, that Poirot and co. have been constant comfort food throughout my childhood. I wouldn’t say how very close David Suchet’s little Belgian was to me.

So now I haven’t said all that, I will say: 

AGH IT’S OVER. MY CHILDHOOD HAS DIED. QUOTHTHERAVENNEVERMOREAAGH.

Okay, that’s done.

Curtain brings Poirot full circle, back to Styles, where he first met Arthur Hastings. The old house (sadly not the same filming location) has been converted into a nursing home, where an ailing Poirot lives. When he summons Captain Hastings, he tells him that (shocker) there’s a murderer on the premises, but, in the grand tradition of detective and Watson since time immemorial, refuses to inform his old companion of the killer’s identity. Could it be an unusually posh Philip Glenister as Sir William Boyd Carrington? Or is it Judith Hastings, daughter of our beloved Captain? Toby Luttrell or his nagging wife Daisy? What about (my favorite of the line-up), the unassuming Stephen Norton (Aidan McArdle)? Or Judith's mild-mannered boss and his glamorous wife? 

Gracepoint - Episode 4 - Review

My review of episode 3

Last week, I was about to abandon ship. Happily, episode 4 is beginning to renew my interest. Part of the attraction is a small shift in Anna Gunn's character. The writer's attempt to give her clever dialogue has so far come off as cheesy and forced, but somehow, the bad puns in this episode lent her some awkward charm (and dove-tailed nicely when she hilariously tried to invite Carver for dinner). I don't think this was intended, and it doesn't entirely work, but the suggestion that her stupid attempts at comebacks stem from awkwardness rather than acerbity makes her more likable. Also - less whining is good.

The other thing is, this is the first time Gracepoint has dramatically stepped out of Broadchurch's shadow. In this installment, Carver and Ellie spend most of their time simultaneously investigating the suspicious backpacker (a new character) and following up on Chloe's cocaine source (this subplot meandered off in the original show).  In other suspicious news, the Creepy Woman With Dog has taken up killing chickens and staring at empty chairs. She also has some sort of connection to Vince.

Inspector Lewis - Beyond Good and Evil - Episode Review

My review of last week's episode: The Lions of Nemea

Need a MacGuffin to inject drama into your season finale? Add a serial killer with a grudge against your hero!

Let's face it, the story is pretty clichéd, but psychopaths have a way of upping the tension in any story, and it's no different in Beyond Good and Evil.

Graham Lawrie, a Scotsman with a rictus of a face, has been in prison for thirteen years. A newly minted Inspector Robbie Lewis put him away in 2001 for allegedly murdering three policeman with a hammer. Now, fresh evidence has cast the verdict into question, and another murder with an identical method adds further force to Lawrie's appeal.

Gracepoint - Episode 3 - Review

My review of last week's episode

Why are the British so much better at TV than us? Why didn't this show cast Olivia Colman? Why is this priest so creepy? Why are we supposed to hate Emmett Carver even though he's right? Why am I even doing this to myself anymore?

There are many unanswered questions in this episode.

It turns out that Mark Solano was not, in fact, with his plumber friend Vince, but having an affair with Gemma Fisher. And now Beth knows, which predicts further turmoil.

Anna Gunn hates Carver. Emmett Carver hates everybody, especially people who smile and shave and have good manners, but we also know now that his mysterious ailment is very serious - which excuses his rudeness just a bit.

But he can't give up work because he's a man on a mission, and he's given his word, and this is all penance. 'Tis but a flesh wound!

Inspector Lewis - Lions of Nemea - Episode Review

My review of last week's episode

Murder in Oxford! Panic in the streets!

Well, British panic—which means we’re suitably upset about the whole thing but couldn’t we hush it up quietly?

This Lewis episode brings us back to the heart of England’s deadliest city when Rose Anderson, a graduate in classics, is found stabbed to death alongside a canal.

Inspector Lewis - Entry Wounds - Episode Review

Sidekick promotion has always proved somewhat of a stickler for long-running detective shows. There’s some reshuffling of authority, which can often produce manufactured drama. In Morse the transition was rocky, as an ailing Morse had so little confidence in his sergeant’s abilities that he shadowed him incognito, much to Lewis’s dismay.

This time around, Superintendent Innocent has recruited a retired Robbie Lewis as back-up for newly promoted D.I. Hathaway. Hathaway is not too hip on this idea, and does his usual Brooding number. Unsurprisingly, we only get half a glimpse of his motivations, something involving doubts and faith and insecurity, probably, and also some trip to a church in Spain, and now he’s in a bad mood and nobody knows why, even him. Is this just me? It’s what makes the character interesting, but also frustrating—he is just sort of a vague intelligence without reality. Morse, on the other hand, was constantly displaying tangible flaws, and his existential ponderings had real weight because of it.

Gracepoint - Episode 2 - Review

My review of last week's episode.

Okay, the priest did it. My dad fingered the killer in the first episode of Broadchurch, and he has already cast judgment on Gracepoint.

If this is true, I will be very, very unable to express my feelings politely on this family blog.

It’s not really a spoiler to say that the priest was not the killer in Broadchurch. Instead, he provided the “moral compass” when everyone else’s had broken. Yes, he had a token motive, but just as an excuse to, in a key scene, bring him into conflict with the cynical, disillusioned Alec Hardy—now Emmett Carver. He was central to the hope that stood against the fragmentation of distrust and suspicion that threatened to destroy his community.

In this story, I predict that Reverend Paul Coates at least has a history with Beth Solano, which means his kindness to her has an ulterior motive. This annoys me to no end. I can’t complain too much about flawed priests (after all, I just finished The Power and the Glory), but this shift in dynamic could fatally undermine any efforts to refresh the foundational themes of Broadchurch. And that’s an issue.

Gracepoint - Episode 1 - Review

I just had to get this off my chest.

Gracepoint would have been a much, much better show if it was set in Appalachia.

David Tennant, an uppity Yankee, arrives in small-town Gracepoint just in time to investigate the murder of Opie Taylor. Assisted by a shocked local sheriff, he must investigate all the inhabitants of this seemingly idyllic town.

I kid. But only a little.

In remaking the amazing British show Broadchurch, it's inevitable that some themes would cross over. The idea of a small town turning on itself. The theme of Christianity and community. There would be no better place to transport this conflict than a small Appalachian town - that symbol of American rural life - complete with a heavy dose of Flannery O'Connor.

My 5 Favorite Con-Men

Regular readers here will know that I'm more than a little obsessed with British detectives. So now, for a change of pace, let's get to know my favorite British con-men. There are a few conditions—con-men are not criminals of the vulgar sort. No, indeed; these dashing figures eschew unsophisticated fisticuffs, and make do with intelligence and witty repartee. For this reason I would not nominate Moriarty (his weapon is strategy, a general of the underworld), though I would almost nominate Saruman (disqualified because his witty repartee stems from an enchantment.)

Also, they must be loads of fun. Let's start with the most fun of them all...

Agatha Christie's Poirot - Elephants Can Remember - Review

My review of last week's episode: Dead Man's Folly

A couple, General and Mrs. Ravenscroft, walk along the white cliffs of Dover, arm-in-arm. The dog runs ahead, barking happily. They smile at one another. A few seconds later, a shot rings out, and the two lie dead.

Thus kicks off the climactic season of Agatha Christie’s Poirot, running circa 1989. Despite an added storyline involving murder by hydrotherapy (a psychiatric treatment in which the patient is blasted with scalding then freezing water), this episode is not as uniformly dark as Murder on the Orient Express, the intense conclusion to the previous season.

Ariadne Oliver’s appearance adds a good element of humor. Her slapdash, jovial demeanor is the perfect foil to Poirot’s fastidious world-weariness (which has become a little old—dude, one smile won’t hurt.) During the reception for her Crime Novelist of the Year award, Mrs. Oliver is cornered by the formidable Mrs. Burton-Cox, a mother with an ax to grind. Does she remember her goddaughter, Celia Ravenscroft? Yes, well, what she wants to know is did General Ravenscroft kill his wife, or did Margaret Ravenscroft kill her husband?

Agatha Christie's Poirot - Dead Man's Folly - Review

My review of last week's episode: The Big Four

Like most TV shows throughout the last decades, Agatha Christie's Poirot has become progressively darker, but Dead Man's Folly is a welcome return to a simpler age (similar to The Big Four, which I had not seen when I first saw this episode). Yes, a simpler age with murder, adultery, and other deadly sins, but they're all mercifully off-screen, and I'll have no qualms in watching this with my younger siblings. (True enough, I love the Suchet adaptation of Orient Express, but it's nice to have something lighter once again.)

With summer in the air, wealthy squire Sir George Stubbs and his fragile, childlike wife Hattie plan a grand fête for their Devonshire neighbors to celebrate their recent acquisition of Nasse House. Fancy dress, fortune telling, and a coconut shy are all scheduled, as well as a murder hunt designed by mystery novelist Ariadne Oliver. But Mrs Oliver is convinced something is amiss, and asks Hercule Poirot to attend the festivities as a means to put her mind at rest.