Need a MacGuffin to inject drama into your season finale? Add a serial killer with a grudge against your hero!
Let's face it, the story is pretty clichéd, but psychopaths have a way of upping the tension in any story, and it's no different in Beyond Good and Evil.
Graham Lawrie, a Scotsman with a rictus of a face, has been in prison for thirteen years. A newly minted Inspector Robbie Lewis put him away in 2001 for allegedly murdering three policeman with a hammer. Now, fresh evidence has cast the verdict into question, and another murder with an identical method adds further force to Lawrie's appeal.
|Lewis and Hathaway in that one episode where he had hair|
The episode utilizes the Nietzsche angle but doesn't overplay it, effectively exploring how an intelligent psychopath plays with the minds of those around him. Alec Newman makes a suitably chilling Lawrie, slinking about wearing a charmingly reptilian grin, listening to Wagner (wait, what?) and threatening to make Lewis's life miserable.
This episode is difficult to rate. For most of the time, it holds its own, building a plot on two principles that left the audience uncertain. The first of these is a major rule of detective fiction: first person accused din't do it. Therefore there's a real doubt about whether our hero may've got it wrong. Adding to this is the second principle: our hero is fast becoming a sidekick once again.
Now, Hathaway taking the reins is a big positive in my humble opinion. Laurence Fox brings an intensity and intelligence to the leading role that Kevin Whately (bless his 'art) has never managed. The new relationship also creates a strong tension. Lewis is determined to prove Lawrie guilty, even if evidence springs up to contradict him. Hathaway is determined to be fair to all involved, and he can’t just chuck out evidence because of Lewis’s hunch. And Hathaway’s right.
Unfortunately, both these elements are rather canceled out in a cop-out finale that substitutes a barely believable, uninteresting solution for what could have been a remarkably clever crime. The issue of whether Lewis bungled the case falls by the wayside as Hathaway, for no reason whatsoever, credits Lewis’s advice for helping solve the case. A dramatic event halfway through the story doesn’t take it all the way, and the characters’ reactions to it are way too mellow. (SPOILER: When a police officer is attacked, a fellow officer—even someone as Foyle-ish as Hathaway—would fly off the handle if some snot-nosed kid takes that lightly.)
But it’s not all bad. It can’t decide if it’s a thriller or not (ending says not), but when it’s forcing Lewis to break the rules, and Hathaway to contradict his mentor, it provides some genuine thrills and uncertainty. That’s more than we usually see from this show. I'm beginning to like Lizzie, though she's little more than a plot point in this episode.
Should there be another season? Yes. But it should be called Inspector Hathaway.
My review of the next season.
My review of the next season.