Episode 38: Giving the Devil Benefit of Law

We talk about one of my all-time favorite films: A Man for All Seasons, the imminent end of PJTV's Trifecta (one of our favorite things), gay weddings, religious freedom, the need for belief, and Taken.

High Noon - Movie Review

Until recently, I thought all Westerns consisted of a simple, boring formula - a man, a gun, a frontier. I was wrong. All Westerns do consist of a simple formula - a man, a gun, a frontier - but it's far from boring. Like the murder mystery (a genre of which I am a devotee), the formula has been buffed and polished till it nearly loses its originality, but given the clearly defined parameters, it can be spun into infinite varieties.

For instance, you have The Man Who Shot Liberty Valance which is a Western - but with ideas and a cameo from George Bailey. You have The Good, the Bad, and the Ugly, which is a Western - but with black humor, eccentric music, and an edgy moral ambiguity setting it apart from the more stolid John Wayne fare. You have The Man From Snowy River which is a Western - but in Australia. You have Life on Mars which is a Western - but in 1980s Manchester. The formula is effective, but far more flexible than I imagined.