Showing posts with label Joe Pantoliano. Show all posts
Showing posts with label Joe Pantoliano. Show all posts

Monday, September 22, 2014

Midnight Run - Movie Review

There are movies that teach you to look on life in a whole new way. They unveil to you greater depths of spiritual understanding and impress upon your soul heart-wrenchingly beautiful scenes.

This is not one of those movies.

What it is, however, is a whole lot of fun. In many ways, Midnight Run is an oversized parody of other 80's buddy flicks.

Robert De Niro, in a unique turn, plays John Wesley "Jack" Walsh, a down-on-his-luck, smart-aleck bounty hunter. Charles Grodin is a mild-mannered embezzler, Jonathan "The Duke" Mardukas, on the run for breaking bond.

Promised $100,000 if he brings in Mardukas by midnight on Friday, Jack Walsh quickly finds and apprehends him in New York. The Duke's aviaphobia prevents the pair from travelling by plane to Los Angeles, so they take to the road. Of course, everything goes wrong, as they are pursued by another bounty hunter, the FBI, and the mob through a series of madcap adventures.

Thursday, February 13, 2014

Empire of the Sun - Movie Review

If you haven’t heard of this movie, don’t feel bad. Part of my affection for it may be the fact that it’s one of Steven Spielberg’s little-known masterpieces, hiding in the dusty corners of his 50-film history. It is based on J.G. Ballard’s novel Empire of the Sun, a semiautobiographical story of his childhood in China. Ballard’s stand-in is Jamie, a spoiled young Brit living in the wealthy International Settlement, the only sector of Shanghai which the Japanese have not occupied. When, after Pearl Harbor, the Japanese invade, Jamie and his parents are separated, and he is thrown into a world for which he is totally unprepared. For him, this is the real start of World War II.

I think Empire of the Sun is a movie that splits opinions. A lot depends on expectations. It might style itself as a historical epic, or a commentary on war or race or other abstractions, but it’s really about a little boy. It is not plot-driven but character-driven, like Lawrence of Arabia, it is a very long, slow film in which the plot is really the hero. If one cannot empathize with Christian Bale’s Jamie Graham, the entire movie falls apart.

I’ve never had trouble with that. Jamie is, to me, a fascinating character. He is spirited and imaginative, with a comic, conceited naivety that only children with posh English accents can achieve. Thirteen-year-old Christian Bale is extraordinary, throwing his entire heart into the character and delivering one of the greatest child performances of all time.