A lavish, moving drama centering around a ragtag band of soldiers fighting their way across Europe, Band of Brothers is an incredible testament to the bravery and ingenuity of the WWII military. From a technical standpoint, it's astounding - easily equal to most big-budget films, and often better. The settings, music, sound-mix, acting - everything combines to form an amazing period piece.
On the other hand, the story-telling itself has some issues. For one thing, like in Saving Private Ryan, I had a lot of difficulty keeping up with the varied members of the humongous cast. This made it much harder to empathize with those that lived or died. Many times I found myself asking "Wait, was that ____ who just died?" or "Has ____ been here the whole time?" It isn't helped by the fact that there are frequent new faces as replacements fill the ranks, and who sometimes act as protagonist for an episode. A heavy dose of action (exquisitely filmed and executed) early in the series also distracts from character development, and in the end I could number very few of the men by personality rather than name.
Showing posts with label D-Day. Show all posts
Showing posts with label D-Day. Show all posts
Monday, May 26, 2014
Thursday, January 30, 2014
Saving Private Ryan - Movie Review
Steven Spielberg
has always had a penchant for the grandiose. It is very much on display
in Saving Private Ryan, both in the enormous scope of the project and the scale of violence. At the time of its release, this film was hailed as markedly
graphic. Watching it today, after the last decade of
Tarantino and the desensitization that accompanies that, it's hard to comment, but it is still shocking and unlike films like Braveheart, it
imbues every death with importance, even those of faceless soldiers on the
beaches of Normandy.
Certainly unlike Braveheart, it has enough respect for the enemy to not draw them as one-dimensional Disney villains. They are Nazis, but they are human beings. (It was clear, to me at least, that the one cruel decision made by a Nazi was impersonal and almost accidental, once again driving home the point that in wartime, there is no time to stop and think, to pause and pick out one man in the mayhem.)
Certainly unlike Braveheart, it has enough respect for the enemy to not draw them as one-dimensional Disney villains. They are Nazis, but they are human beings. (It was clear, to me at least, that the one cruel decision made by a Nazi was impersonal and almost accidental, once again driving home the point that in wartime, there is no time to stop and think, to pause and pick out one man in the mayhem.)
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