“I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted.”
― Flannery O'Connor
Based on a true story, Bernie is the tale of an assistant funeral director (Jack Black) who quickly, through charm and philanthropy, works his way into the heart of a small town. When he befriends Marjorie Nugent (Shirley MacLaine), a cold-hearted heiress who the town hates just as much as it loves him, little does he realize how much he's risking. Marjorie becomes more and more controlling, and Bernie, sweetheart that he is, can't tell her no, even when she's driving him crazy. Eventually, something's gotta snap. And it does.
This movie is like a primer on Life in the South. Shot in a drama/documentary format, it interviews elderly church-women (DLOL's - dearliddleol'ladies), cheerful, foul-mouthed farmers, and matter-of-fact store-owners.
If you've lived in the south, you know all these people. In fact, the overall effect is so realistic that I was never sure which were actors and which were the real townspeople of Carthage, TX (it turns out there was a mix.) And it's clear-eyed enough to show the town in its beauty, but also its fallibility, given that this is a black comedy about crime and public opinion.
Showing posts with label black comedy. Show all posts
Showing posts with label black comedy. Show all posts
Monday, July 7, 2014
Friday, April 25, 2014
Minireview: Kin-Dza-Dza! (1986)
Oddball Russian sci-fi that somehow, as it drags along, drags one along with it. While I have a feeling I missed a lot of jokes by being American, it still has internationally funny moments, and as an effort of world-building it's terrific, being a sort of steampunk Tatooine-esque dystopian wasteland. The second half incorporates unexpected moral choices that add depth to what would otherwise be merely a weird, minimalist social satire.And for what it's worth, Stanislav Lyubshin's Uncle Vova is the Russian Harrison Ford. The guy is coolness personified. To extend the comparisons, Gedevan would be a weird Shia LaBeouf, and the alien musicians would be two long-lost members of a Monty Python-Coen Brothers mash-up.
Koo!
4/5 stars.
Hannah Long
Thursday, January 16, 2014
The Ladykillers (1955) - Movie Review
Like Joan Hickson, Katie Johnson is one of those great little old ladies that completely disappears into her character and never needs to do something vulgar to be interesting. She had been acting since 1894, if that tells you anything, and won a BAFTA for this role. Her dainty, pink-clad Mrs. Wilberforce steals the film away from the ladykillers themselves, though they include such icons as Alec Guinness, a very young Peter Sellers, and Herbert Lom. Not that they give poor performances. They're excellent, their sleaziness contrasting perfectly with Mrs. Wilberforce's Victorian sensibilities.
Mrs. Wilberforce lives with her parrots in a lopsided house in London, and is looking to let her upper room. Appears "Professor" Marcus, a creepy, cunning Alec Guinness with enormous false teeth, completely removed from the classy Obi-Wan Kenobi, the only role for which he will (rather unfairly) be remembered. Professor Marcus quickly begins to entertain his friends, a group of "amateur musicians." There's the Major (Cecil Parker), One-Round (Danny Green), Louis (Lom) and Harry (Sellers.) It's not much of a spoiler that they are in fact a group of vicious bank robbers, who have concocted a plan that places the oblivious Mrs. Wilberforce right at the center of their machinations.
Friday, January 3, 2014
Kind Hearts And Coronets - Movie Review
Normally, I love British dry humor, but I think this may well have been one of the driest comedies I've ever seen. If American humor flourishes in the marshlands of slapstick, and British wit in a dry waste, Kind Hearts and Coronets is somewhere in the Sahara Desert. However, while it's not a funny, the film is still amusing, a dark, deadpan, ironic satire on everything that makes England English.Coronets is certainly a black comedy, featuring as its protagonist Louis Mazzini, a ruthless, psychopathic serial killer. But he's English, which means he also has impeccable manners. Dennis Price plays the role to perfection, floating in and out of social functions while sadly lamenting his fiscal misfortunes. His mother, marrying an Italian singer, was disowned the rest of the D'Ascoyne family, and thus did young Louis Mazzini lose his stake in the family inheritance.
Regrettably but necessarily, old fellow, Louis must take drastic action. What he does do is begin killing off the family, one by one, to repay them for placing such value on social class, all the while climbing towards the duchy himself.
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