Curtain: Poirot's Last Case - Episode Review

My review of the previous episode: The Labours of Hercules

I promised myself that I wouldn’t start this review with a personal anecdote. 

I wouldn’t say that I’ve been watching Agatha Christie’s Poirot since I was around five or six, that Poirot and co. have been constant comfort food throughout my childhood. I wouldn’t say how very close David Suchet’s little Belgian was to me.

So now I haven’t said all that, I will say: 

AGH IT’S OVER. MY CHILDHOOD HAS DIED. QUOTHTHERAVENNEVERMOREAAGH.

Okay, that’s done.

Curtain brings Poirot full circle, back to Styles, where he first met Arthur Hastings. The old house (sadly not the same filming location) has been converted into a nursing home, where an ailing Poirot lives. When he summons Captain Hastings, he tells him that (shocker) there’s a murderer on the premises, but, in the grand tradition of detective and Watson since time immemorial, refuses to inform his old companion of the killer’s identity. Could it be an unusually posh Philip Glenister as Sir William Boyd Carrington? Or is it Judith Hastings, daughter of our beloved Captain? Toby Luttrell or his nagging wife Daisy? What about (my favorite of the line-up), the unassuming Stephen Norton (Aidan McArdle)? Or Judith's mild-mannered boss and his glamorous wife? 

British Mystery Coming Soon - 2014, 2015

Starting Thursday, October 2, Gracepoint will hit the small screen in America. Folk have been quick to assure us that it will not be a point-by-point remake (at least, after the first two episodes) of the original, superb series Broadchurch - but I'm not entirely convinced. (Update: my review of the first episode.)

 Since my last update list, I've seen a few more things turn up.

Besides more seasons of Foyle's War (complete - here's a brief interview from the elusive Mr. Kitchen), Broadchurch (finished filming), Father Brown (filming), and Sherlock (being written) we have...

Agatha Christie's Poirot - The Big Four - Episode Review

And so it begins. The gang is officially together again for the first time in thirteen years (though also the last, for Japp and Ms. Lemon.) Unfortunately, it’s only for a few scenes in this eccentric but enjoyable addition to the Poirot series. The Big Four was Agatha Christie’s attempt at a conspiracy thriller, mixed among the usual Poirot body-in-the-library cases. She couldn’t quite leave that format behind, and her conspiracy conveniently takes the shape of multiple murders in country houses. Mark Gatiss and Ian Hallard’s adaptation is at its strongest when it is focusing on these quirky, clever episodes.

Because of the relative insignificance of the terrorism (especially in light of our own age), it’s a little hard to build up a conspiracy thriller feel around the mysterious Big Four gang. Gatiss and Hallard give it a good try, but like Christie, can’t quite shake off the limitations of Poirot’s format.

It’s 1939. World War II is brewing, and a group called the Peace Party has formed to foster good faith between nations. It is led by an American millionaire (isn’t is always), Abe Ryland, and a French scientist, Madame Olivier. But beneath their veneer of benevolence, lurks a more sinister purpose—or so claims Tysoe, a journalist and conspiracy theorist, played a bit blandly by Tom Brooke (you may remember him from Sherlock and Foyle’s War.)

Endeavour Season 2 - Trove - Episode Review

My review of last season's finale: Home

Endeavour Morse has always been the Doctor Who of detectives—a dynamic main character who draws us through plots of varying degrees of ridiculousness. If you can’t laugh at the inherent absurdity, it simply will not work. This episode is particularly tangled, with three wildly different threads turning out to be connected. I think.

Shaun Evans and Roger Allam return for a second series of this popular (and excellent) prequel to Inspector Morse, starring respectively as D.C. Endeavour Morse and his mentor-cum-sidekick, the lovingly decent Inspector Thursday. Overall, the episode is a welcome return to the homicidal society of Oxford (I immediately smiled to hear the closing theme song), though, as I said, weak in plotting.

The ritual montage of suspects and clues punctuate the opening credits, intercut with scenes of Morse taking a medical exam. He’s back on the job after a four-month hiatus due to the injury he sustained during last year’s season finale (which, incidentally, explains John Thaw’s slight limp.) The transition is somewhat rocky, as Thursday and Morse find it difficult to slip back into the easy banter of earlier days (though they still have the same incipient chemistry). Thursday is worried by Morse’s increased reliance on drink and is trying his best to curb the young man’s habit.

The Ladykillers (1955) - Movie Review

I grew up watching Miss Marple - not the new, politically correct, sexed-up series - but what we call the authorized version starring Joan Hickson. Hickson was a truly amazing actress, exceedingly subtle and very convincing. It's even more impressive since she really was in her nineties while filming the series. Of course, she was Dame Agatha's pick, and the queen's, but if you want to disagree, please go elsewhere.

Like Joan Hickson, Katie Johnson is one of those great little old ladies that completely disappears into her character and never needs to do something vulgar to be interesting. She had been acting since 1894, if that tells you anything, and won a BAFTA for this role. Her dainty, pink-clad Mrs. Wilberforce steals the film away from the ladykillers themselves, though they include such icons as Alec Guinness, a very young Peter Sellers, and Herbert Lom. Not that they give poor performances. They're excellent, their sleaziness contrasting perfectly with Mrs. Wilberforce's Victorian sensibilities.

Mrs. Wilberforce lives with her parrots in a lopsided house in London, and is looking to let her upper room. Appears "Professor" Marcus, a creepy, cunning Alec Guinness with enormous false teeth, completely removed from the classy Obi-Wan Kenobi, the only role for which he will (rather unfairly) be remembered. Professor Marcus quickly begins to entertain his friends, a group of "amateur musicians." There's the Major (Cecil Parker), One-Round (Danny Green), Louis (Lom) and Harry (Sellers.) It's not much of a spoiler that they are in fact a group of vicious bank robbers, who have concocted a plan that places the oblivious Mrs. Wilberforce right at the center of their machinations.