Showing posts with label sadness. Show all posts
Showing posts with label sadness. Show all posts

Wednesday, January 22, 2014

Broadchurch Season 1 - Review

“A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret...that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it!”
~Charles Dickens, A Tale of Two Cities

Can you think of any TV show that John McCain, Anderson Cooper, Judd Apatow, Stephen King, and WORLD Magazine all like? Look no farther.

Broadchurch isn't a murder mystery. Sure, there's a whodunit at the center of the plot, but that's not really what it's about. Instead of whisking in a clever clogs detective who then, having dispensed almost divine justice, sweeps cleanly out of the aftermath, Broadchurch places its two main characters, D.I. Alec Hardy and D.S. Ellie Miller, directly in the path of the storm. Yes, Hardy is an outsider, but his personal objectivity is less a luxury than a necessary curse which spreads to everyone connected to the tragedy. 

Broadchurch isn't a major metropolitan area; it's not even an enormous manor house (both notorious crime centers in Britain). Instead, it's a small town, and in small towns, murder shakes everything.

Saturday, January 11, 2014

A Tale of Two Cities (1935) - Movie Review


"Mild He lays His glory by
Born that man no more may die
Born to raise the sons of earth
Born to give them second birth"

-Hark the Herald Angels Sing


Let's face it, A Tale of Two Cities is my favorite book. Thus, any adaptation is inevitably going to suffer from my extremely high expectations. My favorite may very well be The Dark Knight Rises. Kidding. Sort of. As of yet, no film version has come even close to my idea of How It Should Be (my screen-play is in the works, so keep an eye out, Hollywood), but the 1935 film is a pretty good attempt.

It's helpful with this film to have some familiarity with 30's movies. Considering it as among its fellows, it was very much ahead of its time, with clever cinematography, a tight script, a huge budget, and a decent cast. Of course, its greatest weaknesses are when it adhered to the then-common conventions, such as the ubiquitous sappy music, the occasionally choppy editing, and a one-dimensional female heroine.