Broadchurch - Season 2, Episode 8 - Review

My review of last week's episode.

SPOILERS

Broadchurch - Season 2, Episode 7 - Review

My review of last week's episode

At the moment, I'm sitting here, wracking my brains to remember whether anything actually happened in this episode. Mostly stalling. The trial has never been more interminable than here, as people yell at each other, and Olivia Colman cries more, and the verdict is continually stalled. Drama. Drama. Drama. *snore*

Broadchurch - Season 2, Episode 6 - Review

My review of last week's episode

This episode is about dysfunctional couples. There are four of them. We now have a new media romance, as evil Abby Thompson jumps in bed with Olly (he's still a jerk) in order, it turns out, to gain information.

Couple number three are Cate and Ricky Gillespie, who, reunited by Ellie, quickly slip into bickering again. Number two is Tess and Alec. The latter has finally decided to make some decisions on the Brink of Death front, by having a pacemaker installed. It's not quite as abrupt as it was in Gracepoint, but this sudden turn of events is a bit anticlimactic. My impending exit from terminal medical thingy makes the whole show gain a sense of vague urgency, until producers think money and Tennant-Colman chemistry and decide to cancel my death because season three.

Broadchurch - Season 2, Episode 5 - Review

My review of last week's episode

Oh, all right. This episode has drawn me back to Broadchurch. It still has some of the same problems, but is blessedly free of some of the silliness of the second and third episodes. There's lots of the same: tense confrontations, unnecessary subplots, angry/distraught/happy/thoughtful people contrasted against a lovely sky, but it's a decent enough episode.

Broadchurch - Season 2, Episode 4 - Review

My review of last week's episode

Well, overall, a bit more reasonable than last week. Damning with faint praise? It's the best I can do.

Ellie has had her Worst Day Ever, so now it's Alec's turn. The episode starts as he has disturbing flashbacks to when he found Pippa Gillespie's body, which makes him cry like an increasingly boring character looking for sympathy. He also faces the prospect that he might have been wrong about the whole Sandbrook case and manages to alienate both his wife and his daughter and the murdered girl's dad, Ricky Gillespie, and Ollie (who's still a jerk).

Broadchurch - Season 2, Episode 3 - Review

My review of last week's episode.

There was a moment while watching this episode that I actually exclaimed, “Poor Ellie.” That pretty much sums it up. Last week, Chibnall was reaching, this week he lost balance completely. But by a curious magic (characters I’m attached to, music, setting, cinematography), I still can’t quite disregard the series.

The cliffhanger from last week resolves fairly quickly. After a brief quarrel with a strangely unhelpful Ellie, Alec drives off to find that Claire and Lee have retreated to her cottage. Why? Claire mutters something unconvincing. Lee knocks Alec down and is macho and generally Suspicious which is a good sign that he’s innocent. (Once again, I’m startled by how different James D’Arcy is in this role—even if he doesn’t have much to do but smirk in a sleazy fashion and show off his biceps.)

Broadchurch - Season 2, Episode 2 - Review

My review of last week's episode

Agh...did you have to do it like that?

Broadchurch hasn't been above sacrificing strict logic for melodrama, but, unlike other shows, it simply glows with heart - which makes it hard for me to count its flaws against it. Central to this is the teddy-bear herself, Ellie Miller. Colman is simply not aware she's on screen. She's not going to stretch any moment longer than it needs, and there's no affectation about her performance. Alec Hardy is a more conventional hero: the moody, broken, secretly noble knight in tarnished armor. His hesitations, staring nervously away to let the tension build, are more distracting than tense.

Broadchurch - Season 2, Episode 1 - Review

Given that I invested far more emotion in the first season of Broadchurch than I have in any TV show for years, it's fair to say that my expectations for the second season were extremely high. Sharpening my red pen, I glared at the laptop screen and just dared Chris Chibnall to ruin these characters so I would have something to complain about.

But despite a somewhat melodramatic, music-heavy opening, Broadchurch 2.0 is instantly compelling and nearly flawless. After the lukewarm Gracepoint, just the atmosphere alone is enough to evoke positive response, but Chibnall's writing is exceptional, and the acting is, as ever, superb.

I'd better go ahead and say that this will have spoilers not only for season 2, but also, necessarily, for season 1.

A Peck on the Cheek (Kannathil Muthamittal) - Movie Review

When I approach foreign films, I always try my best to shelve cultural criticisms and accept it on its own terms. To some extent this is impossible, though it's much easier with European films than Asian ones. I have enough of an American need for emotionalism to feel like Russian characters are more like walking, talking existential crises than actual human beings. Indian films, on the other hand, indulge so deeply in sentimentality that I find it next to impossible to attach any real value to their emotion. Does this mean I can’t appreciate Russian or Indian films? No (for instance, I quite liked Kin-Dza-Dza!) but makes it harder. A Peck on the Cheek is difficult to review, just because it's so far outside my preferences and familiarity, but though my standards of measure may be Western, I have no others, and they are what I use.

Amudha is a precocious, petite, Sri Lankan version of Ferris Bueller, from hating her teacher, to delivering an introductory, breaking-the-fourth-wall monologue and being the center of a huge musical number. Everything is about Amudha; she's the heroine and she knows it.

But the film isn't really about Amudha (or it shouldn't be); it's much bigger than her blissful childhood. After an opening, introducing a pair of star-crossed lovers (her real parents) in a war-zone, we slip entirely into Amudha's world, which has all the cheesiness and extravagance of a Disney cartoon. Still, the introduction remains as a solemn reminder that there are things happening outside this children's story, and unlike Ferris Bueller, Amudha will eventually have to engage with this.

A Tale of Two Cities (1935) - Movie Review

"Mild He lays His glory by
Born that man no more may die
Born to raise the sons of earth
Born to give them second birth"
-Hark the Herald Angels Sing


Let's face it, A Tale of Two Cities is my favorite book. Thus, any adaptation is inevitably going to suffer from my extremely high expectations. My favorite may very well be The Dark Knight Rises. Kidding. Sort of. As of yet, no film version has come even close to my idea of How It Should Be (my screen-play is in the works, so keep an eye out, Hollywood), but the 1935 film is a pretty good attempt.

It's helpful with this film to have some familiarity with 30's movies. Considering it as among its fellows, it was very much ahead of its time, with clever cinematography, a tight script, a huge budget, and a decent cast. Of course, its greatest weaknesses are when it adhered to the then-common conventions, such as the ubiquitous sappy music, the occasionally choppy editing, and a one-dimensional female heroine.

Life is Beautiful - Movie Review

The last three movies I've watched have curiously prepared me for this one, which I finished Monday. To End All Wars was a WWII film, taking place in a camp of sufferers. The Scarlet and the Black was about a resistance movement in Nazi Rome. Kind Hearts and Coronets was a film from the 1940's.

Life is Beautiful takes elements from all of these and improves on them, being a WWII tale set in Italy with a 1940's style of filming. Mark Twain once said "the personages in a tale [should] be alive, except in the case of corpses, and...the reader shall be able to tell the corpses from the others." In Life is Beautiful, unlike To End All Wars, a vast amount of time is spent in ensuring the life of the characters, before even a shadow of death darkens the horizon.

The Scarlet and the Black strove both for an amusing main character and menacing villains, but both efforts failed. Life is Beautiful excels in both directions, always evoking the correct response.